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Palace of Versailles

In 1789, the French Revolution forced Louis XVI to leave Versailles for Paris. The Palace would never again be a royal residence and a new role was assigned to it in the 19th century, when it became the Museum of the History of France in 1837 by order of King Louis-Philippe, who came to the throne in 1830. The rooms of the Palace were then devoted to housing new collections of paintings and sculptures representing great figures and important events that had marked the History of France. These collections continued to be expanded until the early 20th century at which time, under the influence of its most eminent curator, Pierre de Nolhac, the Palace rediscovered its historical role when the whole central part was restored to the appearance it had had as a royal residence during the Ancien Régime.

The Palace of Versailles never played the protective role of a medieval stronghold. Beginning in the Renaissance period, the term “chateau” was used to refer to the rural location of a luxurious residence, as opposed to an urban palace. It was thus common to speak of the Louvre “Palais” in the heart of Paris, and the “Château” of Versailles out in the country. Versailles was only a village at the time. It was destroyed in 1673 to make way for the new town Louis XIV wished to create. Currently the centrepiece of Versailles urban planning, the Palace now seems a far cry from the countryside residence it once was. Nevertheless, the garden end on the west side of the Estate of Versailles is still adjoined by woods and agriculture

Louis XIV first visited the château on a hunting trip in 1651 at the age of twelve, but returned only occasionally until his marriage to Maria Theresa of Spain in 1660 and the death of Cardinal Mazarin in 1661, after which he suddenly acquired a passion for the site.[8] He decided to rebuild, embellish and enlarge the château and to transform it into a setting for both rest and for elaborate entertainments on a grand scale.The first phase of the expansion (c. 1661–1678) was designed and supervised by the architect Louis Le Vau. Initially he added two wings to the forecourt, one for servants quarters and kitchens, the other for stables.In 1668 he added three new wings built of stone, known as the envelope, to the north, south and west (the garden side) of the original château. These buildings had nearly-flat roofs covered with lead. The king also commissioned the landscape designer André Le Nôtre to create the most magnificent gardens in Europe, embellished with fountains, statues, basins, canals, geometric flower beds and groves of trees. He also added two grottos in the Italian style and an immense orangerie to house fruit trees, as well as a zoo with a central pavilion for exotic animals.After Le Vau’s death in 1670, the work was taken over and completed by his assistant François d’Orbay.